Archive for the ‘Writing Fiction’ tag
How to Write a Novel – Fiction or Non-fiction no comments
Posted at 4:23 pm in Writing a Will
Martha Jette
A writer’s desire to put words into sentences, sentences into paragraphs and paragraphs into stories is by no means a mechanical process. It is a force to be reckoned with. You can’t create it, if it isn’t in you and you can’t get rid of it, if you’ve got the bug to write. But turning our vivid thoughts and imagination into solid form can be both challenging and inspiring. The style that you use will depend on whether you have chosen to write a fiction or non-fiction work.
Before you even start writing your book, it is wise to do some research. Do you know if the topic you have in mind is hot right now? Are there similar books on the market and are they selling well? A good way to find out is by reading newspapers, magazines, newsletter and ezines that cater to writers. Join writer’s groups and forums, as well talk to other people in the writing and publishing field. It is wise to be sure you have a potential audience for your book ahead of time.
FICTION WRITING
Fiction writing is base on imagination and if you have a good one, your story will be good. It can also be plot-driven, or based on an idea or concept. The thing to remember as we go through each aspect of fiction writing is that although your story is fantasy, it must still make sense.
The next thing to consider is the physical setting of your story. It must be authentic enough to be believed and include everything from scenery, to atmosphere and perhaps even weather. These elements might have a profound affect on the actions or moods of your characters.
For instance, does your story take place in a run down factory, a dance hall or spaceship? All of these evoke extremely different images. Then you need to ask yourself, do I want my setting to be simply a background or something more powerful?
Choosing the right ‘point of view’ and ‘narrative voice’ for your story is also very important. Writing in the first person, gives the reader the impression that you are personally invested in your story. A third person ‘point of view’ is more detached.
Time is another element that must be established. First of all, what time of day is it? Although you don’t need to specifically state that it’s 2 p.m., your story must indicate through other details that it is mid-afternoon. Different time periods immediately create pictures in the minds of readers. For instance, there is a world of difference between Washington in 2006 and Boston in the 1800s.
Next, the characters in your story must be considered. Are they the primary focus, rather than the plot? Who is the main character and how will you write your book to show that this person is the most important? A good way to answer these questions is to write down character outlines. Describe not only how they look, but also their character traits (strengths and weaknesses), personality, views and moods.
Your main character will be the one who is most affected in the story and/or plays the biggest role. He or she will be the one with the most force of action, the biggest problem, the most painful hurt or seeking to accomplish the most tantamount goal. This is the character that you want your readers to know best, to perhaps identify with and to care about. Then unless you are placing yourself in the story, decide which character will tell the tale. This is the ‘viewpoint character’ and the reader will experience the story through this character’s eyes. It is also possible to have more than one ‘viewpoint character.’
Next, consider the plot or story line. How will you let the plot unfold in a natural way and follow it through to the end? Where and at what point will the climax occur? Will there by semi-climaxes as the story moves along and at what points? If you are writing a plot-based story, the intricacies of the plot will be what create the most interesting tale. This, of course, will take some planning. In this case, it helps to write out your game plan ahead of time.
Dialogue is a vital aspect of any written work, as it can really bring out the personalities of your characters. It can also serve to fill in necessary information, without just stating it, it can be used to establish the time and place, and also to develop conflicts between characters. Whatever its purpose, writing dialogue is something that can be difficult to create, if you haven’t done it before. Don’t try to recreate actual conversations, as they’ll likely be very boring and annoying. For instance, most people repeat certain phrases and non-words like ‘um,’ ‘aha’ or ‘you see.’
I’m sure you’ve heard the term “double speak” at some point. In dialogue, it means that what your characters say and what they really mean are two different things. What are your characters saying “between the lines” or “subtext?” This can happen when one or more of your characters don’t really understand themselves or their own motivation. Showing a different side to a character through dialogue will tell the reader more about him or her than if you just outright said it. Knowing how to write this kind of dialogue can set you apart from other writers.
Also if your character has a slang or accent, don’t overdo it. Dialogue should also flow, without a lot of ‘he said,’ ‘she said.’ Also try to intersperse your conversations with associated actions. Finally, always remember to begin a new sentence each time another person speaks and put their words in quotations.
NON-FICTION WRITING
Non-fiction writing is based on reality, but is not necessarily factual. This genre includes recreations of true stories, biographies and autobiographies found in such things as books, magazines, newspapers, advertisements and reference books. You might also want to write a how-to book. There are many of them out there on everything from how to loose weight, dance, find the right mate and build a birdhouse, how to improve your golf game, learn to dance, read sheet music or improve your Internet marketing skills, start a business and even how to write.
Non-fiction also includes medical, travel, space books and whole host of other texts. Obviously, the most important aspect of non-fiction writing is to write about what you know best. You must do your homework and become an authority on your subject matter.
You must also have an angle or purpose. Why are you writing it? In answering that question, you must answer the questions: who, what, why, when and how. For instance, if you are writing on how to balance your budget, your purpose is to help people gain control over their finances. You must decide whether you are aiming at the poor, middle class or wealthy. What do they need to know and why? When should they begin their financial planning and how?
For general non-fiction writing, you must decide on the right ‘point of view’ and ‘narrative voice.’ For instance, if you are writing about a personal and painful experience of your own, you might want to present it in the first person. However, if you are not ready to tell the world it was ‘your’ experience, you will need to write it in the third person. If you’re writing an academic book, you might want to write in the third person in a ‘professor’s’ voice. If it is a book about a conspiracy, you might want to adopt a ‘suspicious’ tone.
Next, choose your setting, which for non-fiction writing should be an actual place. If this is not possible, you will need to recreate the setting as closely as possible. Then establish the time element and your character outlines. Again, these must be factual or as close to it as possible. You must then decide on your characters and who is the primary character. What is the plot and how important is it? Will there be actual dialogue in your non-fiction book? If so, make sure that all words, expressions and accents are authentic in relation to the time element. What genre does your book fall into and are you being true to form for that genre?
Finally, although your non-fiction book should be based on facts, you can be just as creative as a fiction writer to keep your writing from being too dry and boring. Don’t be afraid to spice it up a bit, but at the same time stick to the facts.
**************************
Assuming that you know what genre or category your writing falls into, there are a few things to consider. You must be aware that there are certain conventions of structure, character and conversation that automatically come with specific genres. For instance, writers of science fiction often use the term “faster-than-light travel” or “warp speed.” The sci-fi writer needs to know how and where such terms are used, if he or she intends to use them. In mystery writing, the plot generally begins with a discovery, such as a dead body and ends when the mystery is solved. A great way to become familiar with the conventions of your particular genre is to read similar books by other writers.
There is much a beginning author needs to know about manuscript style, dealing with writer’s block, tricks to unleash the imagination, writing query letters and book proposals, using photos, the importance of editing and book covers, how to find a publisher and/or book agent, copyright, why you should get a literary critique, book contracts, marketing, advertising and so much more.
A writer’s desire to put words into sentences, sentences into paragraphs and paragraphs into stories is by no means a mechanical process. It is a force to be reckoned with. You can’t create it, if it isn’t in you and you can’t get rid of it, if you’ve got the bug to write. But turning our vivid thoughts and imagination into solid form can be both challenging and inspiring. The style that you use will depend on whether you have chosen to write a fiction or non-fiction work.
Before you even start writing your book, it is wise to do some research. Do you know if the topic you have in mind is hot right now? Are there similar books on the market and are they selling well? A good way to find out is by reading newspapers, magazines, newsletter and ezines that cater to writers. Join writer’s groups and forums, as well talk to other people in the writing and publishing field. It is wise to be sure you have a potential audience for your book ahead of time.
FICTION WRITING
Fiction writing is base on imagination and if you have a good one, your story will be good. It can also be plot-driven, or based on an idea or concept. The thing to remember as we go through each aspect of fiction writing is that although your story is fantasy, it must still make sense.
The next thing to consider is the physical setting of your story. It must be authentic enough to be believed and include everything from scenery, to atmosphere and perhaps even weather. These elements might have a profound affect on the actions or moods of your characters.
For instance, does your story take place in a run down factory, a dance hall or spaceship? All of these evoke extremely different images. Then you need to ask yourself, do I want my setting to be simply a background or something more powerful?
Choosing the right ‘point of view’ and ‘narrative voice’ for your story is also very important. Writing in the first person, gives the reader the impression that you are personally invested in your story. A third person ‘point of view’ is more detached.
Time is another element that must be established. First of all, what time of day is it? Although you don’t need to specifically state that it’s 2 p.m., your story must indicate through other details that it is mid-afternoon. Different time periods immediately create pictures in the minds of readers. For instance, there is a world of difference between Washington in 2006 and Boston in the 1800s.
Next, the characters in your story must be considered. Are they the primary focus, rather than the plot? Who is the main character and how will you write your book to show that this person is the most important? A good way to answer these questions is to write down character outlines. Describe not only how they look, but also their character traits (strengths and weaknesses), personality, views and moods.
Your main character will be the one who is most affected in the story and/or plays the biggest role. He or she will be the one with the most force of action, the biggest problem, the most painful hurt or seeking to accomplish the most tantamount goal. This is the character that you want your readers to know best, to perhaps identify with and to care about. Then unless you are placing yourself in the story, decide which character will tell the tale. This is the ‘viewpoint character’ and the reader will experience the story through this character’s eyes. It is also possible to have more than one ‘viewpoint character.’
Next, consider the plot or story line. How will you let the plot unfold in a natural way and follow it through to the end? Where and at what point will the climax occur? Will there by semi-climaxes as the story moves along and at what points? If you are writing a plot-based story, the intricacies of the plot will be what create the most interesting tale. This, of course, will take some planning. In this case, it helps to write out your game plan ahead of time.
Dialogue is a vital aspect of any written work, as it can really bring out the personalities of your characters. It can also serve to fill in necessary information, without just stating it, it can be used to establish the time and place, and also to develop conflicts between characters. Whatever its purpose, writing dialogue is something that can be difficult to create, if you haven’t done it before. Don’t try to recreate actual conversations, as they’ll likely be very boring and annoying. For instance, most people repeat certain phrases and non-words like ‘um,’ ‘aha’ or ‘you see.’
I’m sure you’ve heard the term “double speak” at some point. In dialogue, it means that what your characters say and what they really mean are two different things. What are your characters saying “between the lines” or “subtext?” This can happen when one or more of your characters don’t really understand themselves or their own motivation. Showing a different side to a character through dialogue will tell the reader more about him or her than if you just outright said it. Knowing how to write this kind of dialogue can set you apart from other writers.
Also if your character has a slang or accent, don’t overdo it. Dialogue should also flow, without a lot of ‘he said,’ ‘she said.’ Also try to intersperse your conversations with associated actions. Finally, always remember to begin a new sentence each time another person speaks and put their words in quotations.
NON-FICTION WRITING
Non-fiction writing is based on reality, but is not necessarily factual. This genre includes recreations of true stories, biographies and autobiographies found in such things as books, magazines, newspapers, advertisements and reference books. You might also want to write a how-to book. There are many of them out there on everything from how to loose weight, dance, find the right mate and build a birdhouse, how to improve your golf game, learn to dance, read sheet music or improve your Internet marketing skills, start a business and even how to write.
Non-fiction also includes medical, travel, space books and whole host of other texts. Obviously, the most important aspect of non-fiction writing is to write about what you know best. You must do your homework and become an authority on your subject matter.
You must also have an angle or purpose. Why are you writing it? In answering that question, you must answer the questions: who, what, why, when and how. For instance, if you are writing on how to balance your budget, your purpose is to help people gain control over their finances. You must decide whether you are aiming at the poor, middle class or wealthy. What do they need to know and why? When should they begin their financial planning and how?
For general non-fiction writing, you must decide on the right ‘point of view’ and ‘narrative voice.’ For instance, if you are writing about a personal and painful experience of your own, you might want to present it in the first person. However, if you are not ready to tell the world it was ‘your’ experience, you will need to write it in the third person. If you’re writing an academic book, you might want to write in the third person in a ‘professor’s’ voice. If it is a book about a conspiracy, you might want to adopt a ‘suspicious’ tone.
Next, choose your setting, which for non-fiction writing should be an actual place. If this is not possible, you will need to recreate the setting as closely as possible. Then establish the time element and your character outlines. Again, these must be factual or as close to it as possible. You must then decide on your characters and who is the primary character. What is the plot and how important is it? Will there be actual dialogue in your non-fiction book? If so, make sure that all words, expressions and accents are authentic in relation to the time element. What genre does your book fall into and are you being true to form for that genre?
Finally, although your non-fiction book should be based on facts, you can be just as creative as a fiction writer to keep your writing from being too dry and boring. Don’t be afraid to spice it up a bit, but at the same time stick to the facts.
**************************
Assuming that you know what genre or category your writing falls into, there are a few things to consider. You must be aware that there are certain conventions of structure, character and conversation that automatically come with specific genres. For instance, writers of science fiction often use the term “faster-than-light travel” or “warp speed.” The sci-fi writer needs to know how and where such terms are used, if he or she intends to use them. In mystery writing, the plot generally begins with a discovery, such as a dead body and ends when the mystery is solved. A great way to become familiar with the conventions of your particular genre is to read similar books by other writers.
There is much a beginning author needs to know about manuscript style, dealing with writer’s block, tricks to unleash the imagination, writing query letters and book proposals, using photos, the importance of editing and book covers, how to find a publisher and/or book agent, copyright, why you should get a literary critique, book contracts, marketing, advertising and so much more.
Notes on Writing From Writers of Note no comments
Posted at 7:49 am in Writing a Will
Philip Yaffe
by Philip Yaffe
When I am introduced at social gatherings, the host or hostess usually says: “Hi, I want you to meet Philip Yaffe. He is a professional writer.” I almost always get the same response: “Oh, really. What type of novels do you write?” In other words, people automatically associate the term “writer” with “literature”; as if fiction were the only type of writing. It isn’t. And for most ordinary people, such as myself, it is the least important, yet it always seems to take pride of place.
Scholastic snobbery has a lot to do with this.
Virtually every secondary school and many universities require students to take courses in literature. However, virtually no one who takes such courses will ever write a novel, a stage play, a film script; or any other form of fiction. On the other hand, few schools and universities require students to take courses in writing non-fiction. Yet virtually everyone needs these skills to produce reports, memos, letters, marketing plans, company newspapers, and all the other types of non-fiction texts essential for getting on in life.
Internet searches for quotations about writing almost invariable turn of the thoughts of novelists, poets, playwrights, etc., again as if fiction were the only category of writing of any consequence.
I made such a search in order to put together this article. At first I was disappointed by the lopsided results, but on further reflection they turned out to be quite fortuitous.
I normally make a strong distinction between “creative writing” (fiction) and “expository writing” (non-fiction). In fact, this difference is the foundation of a book I recently wrote on the subject, where I explained how and why they are truly very different genres. Nevertheless, when reviewing the quotations, it became apparent that the feelings and emotions of good writers in both genres are remarkably similar.
Thus, whether we are creative writers (the tiny minority of us) or expository writers (the vast majority us), we can all learn something from these renowned writing practitioners.
For convenience, I have tried to categorize their insightful quotations. However, creative writing and expository writing are both highly unified activities. Their fundamental features are so intimately interwoven that any attempt to separate them must necessarily fail. Nevertheless, pretending to disjoin them helps organize our thoughts. So with no apologies for any “mis-categorized” quotes, here is what these respected writers had to say.
1. The Essence of Good Writing
Inventor Thomas Edison once said: “Genius is 1 per cent inspiration and 99 per cent perspiration”. In other words, it’s hard work. The same is true of writing, both creative and expository. This is good news, because it means that even the least inspired of us can write well if we are just willing to expend the necessary energy.
Here are a few more quotations along the same line.
“A writer is somebody for whom writing is more difficult than it is for other people.” – -Thomas Mann
“The secret of good writing is to say an old thing in a new way or to say a new thing in an old way.” – - Richard Harding Davis
“Good writing is clear thinking made visible.” – - Bill Wheeler
“Writers must constantly ask: what I am trying to say? Surprisingly often, they don’t know.” – - William Zinsser
“There are two kinds of writers in the world: bad writers and improving writers.” – - William Blundell
“Every writer I know has trouble writing.” – - Joseph Heller
“Good writing is hard work” – - Snoopy (Charles Schulz)
2. Writing as Discovery
“I know very dimly when I start what’s going to happen. I just have a very general idea, and then the thing develops as I write.” – - Aldous Huxley
“There are thousands of thoughts lying within a man that he does not know till he takes up the pen and writes.” – - William Makepeace Thackeray
“The act of writing is the act of discovering what you believe.” – - David Hare
“Writing became such a process of discovery that I couldn’t wait to get to work in the morning. I wanted to know what I was going to say.” – - Sharon O’Brien
“I never know what I think about something until I read what I’ve written on it.” – - William Faulkner
In other words, if you believe you have nothing to say, pick a topic and start writing. You may surprise yourself.
3. The Objectives of Good Writing
“We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out – - Ray Bradbury
“I write because I’m afraid to say some things out loud” – - Anonymous.
“The skill of writing is to create a context in which other people can think.” – - Edwin Schlossberg
“When I sit down at my writing desk, time seems to vanish. I think it’s a wonderful way to spend one’s life” – - Erica Jong
4. The Techniques of Good Writing
“The faster I write, the better my output. If I’m going slow, I’m in trouble. It means I’m pushing the words instead of being pulled by them.” – - Raymond Chandler
“Work extra hard on the beginning of your story, so it snares reader’s instantly. And know how you’re going to end your story before you start writing. Without a sense of direction, you can get lost in the middle.” – - Joan Lowery Nixon
“Detail makes the difference between boring and terrific writing. It’s the difference between a pencil sketch and a lush oil painting. As a writer, words are your paint. Use all the colors.” – - Rhys Alexander
“What I like in a good author is not what he says, but what he whispers”. – - Logan Pearsall Smith.
“Cut out all those exclamation marks. An exclamation mark is like laughing at your own jokes.” – - F. Scott Fitzgerald
“Nothing is so simple that it cannot be misunderstood – - Jr. Teague
5. Writing & Rewriting
“I’m not a very good writer, but I’m an excellent rewriter.” – - James Michener
“Having imagination, it takes you an hour to write a paragraph that, if you were unimaginative, would take you only a minute. Or you might not write the paragraph at all.” – - Franklin P. Adams
“Write your first draft with your heart. Re-write with your head.” – - Anonymous
“The time to begin writing an article is when you have finished it to your satisfaction. By that time you begin to clearly and logically perceive what it is you really want to say.” – - Mark Twain
“I have made this [letter] longer, because I have not had the time to make it shorter” – - Blaise Pascal
“I didn’t have time to write a short letter, so I wrote a long one instead.” – - Mark Twain
In other words, the first draft is almost always too long and poorly structured. To be clear and concise requires at least a second draft, and often more. Or put more succinctly:
“The first draft of anything is sh*t.” – - Ernest Hemingway
6. Clarity & Conciseness
“When something can be read without effort, great effort has gone into its writing.” – - Enrique Jardiel Poncela
“Easy reading is damn hard writing.” – - Nathaniel Hawthorne
“What is written without effort is in general read without pleasure.” – - Samuel Johnson
“Resist the temptation to try to use dazzling style to conceal weakness of substance.”
- – Stanley Schmidt
“Don’t write merely to be understood. Write so that you cannot possibly be misunderstood.” – - Robert Louis Stevenson
“The writer does the greatest good who gives his reader the most knowledge and takes from him the least time.” – - Sydney Smith
7. Style & Words
“‘I love writing. I love the swirl and swing of words as they tangle with human emotions.’ – - James Michener
“A good style should show no signs of effort. What is written should seem a happy accident.” – - W. Somerset Maugham
“You write to communicate to the hearts and minds of others what’s burning inside you. And we edit to let the fire show through the smoke. – - Arthur Polotnik
“Writers must rely more on the feel of a sentence than on the dictates of a rule book.” – - James J. Kilpatrick
“Like stones, words are laborious and unforgiving, and the fitting of them together, like the fitting of stones, demands great patience and strength of purpose and particular skill.” – - Edmund Morrison
“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.” – - Mark Twain
8. Egoism Unbound
Few writers ever have the opportunity to quote themselves. I don’t know if anything I have ever said will be remembered a hundred years from now, or even a hundred minutes from now. But for what they are worth, here are few ideas I have encountered, developed, and believed in for over 40 years.
“Convoluted writing is easy, it takes little thought. Simple writing is difficult; it takes all the thinking you can muster – and then some.”
“Simple writing is a challenge whose rewards are boundless. Once a writer recognizes this, everything else falls into place.”
“Good writing – and by extension good speaking – depend on only a handful of fundamental principles. Once you have mastered these, all the tips and techniques for applying them become almost self-evident.”
“Clarity can be defined as a quasi-mathematical formula, which is also a recipe for effectively applying it. To be clear, you must do three things:
1. Emphasise what is of key importance.
2. De-emphasise what is of secondary importance.
3. Eliminate what is of no importance.
In short: CL = EDE”
“Conciseness can be defined as a quasi-mathematical formula, which is also a recipe for effectively applying it. To be concise, your text must be as:
1. Long as necessary, i.e. adequately cover all essential material
2. Short as possible, i.e. avoid all superfluous words, sentences and paragraphs
In short: CO = LS”
“Clarity and conciseness are two sides of the same coin. To be clear, you must be concise. Unnecessary verbiage obscures, so it must be eliminated. Likewise, to be concise, you must be clear. Only by knowing precisely what you want to say can you eliminate obscuring words, sentences and paragraphs.”
“Writing is like cooking. You assemble the ingredients and start mixing. When the lifeless liquid begins to stiffen and take shape, you know you are making a cake. For me, the feeling is really that physical.”
“Continually ask yourself: ‘Why the hell should anyone want to read what I am writing?’ If you can give at least three good reasons, stop writing and start thinking. Otherwise, you will be wasting everyone’s time – principally your own.”
“Aim for the lowest common denominator. Virtually no one will object that your text is too easy, but some may object that it is too hard. Focus on those who may not understand; they are your true audience. The others will not object.”
“The basic principles of good writing and speaking are few and easy to understand. Unfortunately, most books on the subject bury them under an avalanche of tips and techniques.”
Having just written a book myself, let me conclude with something I wish I had said, but in fact comes from someone else. “Inside every fat book there is a thin book struggling to get out” – - Anonymous
Amen.
Philip Yaffe is a former reporter/feature writer with The Wall Street Journal and a marketing communication consultant. He currently teaches a course in good writing and good speaking in Brussels, Belgium. His recently published book In the “I” of the Storm: the Simple Secrets of Writing & Speaking (Almost) like a Professional (84 pages) is available from Story Publishers in Ghent, Belgium (storypublishers.be) and Amazon (amazon.com).
For further information, contact:
Philip Yaffe
Brussels, Belgium
Tel: +32 (0)2 660 0405
Email: phil.yaffe@yahoo.com
by Philip Yaffe
When I am introduced at social gatherings, the host or hostess usually says: “Hi, I want you to meet Philip Yaffe. He is a professional writer.” I almost always get the same response: “Oh, really. What type of novels do you write?” In other words, people automatically associate the term “writer” with “literature”; as if fiction were the only type of writing. It isn’t. And for most ordinary people, such as myself, it is the least important, yet it always seems to take pride of place.
Scholastic snobbery has a lot to do with this.
Virtually every secondary school and many universities require students to take courses in literature. However, virtually no one who takes such courses will ever write a novel, a stage play, a film script; or any other form of fiction. On the other hand, few schools and universities require students to take courses in writing non-fiction. Yet virtually everyone needs these skills to produce reports, memos, letters, marketing plans, company newspapers, and all the other types of non-fiction texts essential for getting on in life.
Internet searches for quotations about writing almost invariable turn of the thoughts of novelists, poets, playwrights, etc., again as if fiction were the only category of writing of any consequence.
I made such a search in order to put together this article. At first I was disappointed by the lopsided results, but on further reflection they turned out to be quite fortuitous.
I normally make a strong distinction between “creative writing” (fiction) and “expository writing” (non-fiction). In fact, this difference is the foundation of a book I recently wrote on the subject, where I explained how and why they are truly very different genres. Nevertheless, when reviewing the quotations, it became apparent that the feelings and emotions of good writers in both genres are remarkably similar.
Thus, whether we are creative writers (the tiny minority of us) or expository writers (the vast majority us), we can all learn something from these renowned writing practitioners.
For convenience, I have tried to categorize their insightful quotations. However, creative writing and expository writing are both highly unified activities. Their fundamental features are so intimately interwoven that any attempt to separate them must necessarily fail. Nevertheless, pretending to disjoin them helps organize our thoughts. So with no apologies for any “mis-categorized” quotes, here is what these respected writers had to say.
1. The Essence of Good Writing
Inventor Thomas Edison once said: “Genius is 1 per cent inspiration and 99 per cent perspiration”. In other words, it’s hard work. The same is true of writing, both creative and expository. This is good news, because it means that even the least inspired of us can write well if we are just willing to expend the necessary energy.
Here are a few more quotations along the same line.
“A writer is somebody for whom writing is more difficult than it is for other people.” – -Thomas Mann
“The secret of good writing is to say an old thing in a new way or to say a new thing in an old way.” – - Richard Harding Davis
“Good writing is clear thinking made visible.” – - Bill Wheeler
“Writers must constantly ask: what I am trying to say? Surprisingly often, they don’t know.” – - William Zinsser
“There are two kinds of writers in the world: bad writers and improving writers.” – - William Blundell
“Every writer I know has trouble writing.” – - Joseph Heller
“Good writing is hard work” – - Snoopy (Charles Schulz)
2. Writing as Discovery
“I know very dimly when I start what’s going to happen. I just have a very general idea, and then the thing develops as I write.” – - Aldous Huxley
“There are thousands of thoughts lying within a man that he does not know till he takes up the pen and writes.” – - William Makepeace Thackeray
“The act of writing is the act of discovering what you believe.” – - David Hare
“Writing became such a process of discovery that I couldn’t wait to get to work in the morning. I wanted to know what I was going to say.” – - Sharon O’Brien
“I never know what I think about something until I read what I’ve written on it.” – - William Faulkner
In other words, if you believe you have nothing to say, pick a topic and start writing. You may surprise yourself.
3. The Objectives of Good Writing
“We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out – - Ray Bradbury
“I write because I’m afraid to say some things out loud” – - Anonymous.
“The skill of writing is to create a context in which other people can think.” – - Edwin Schlossberg
“When I sit down at my writing desk, time seems to vanish. I think it’s a wonderful way to spend one’s life” – - Erica Jong
4. The Techniques of Good Writing
“The faster I write, the better my output. If I’m going slow, I’m in trouble. It means I’m pushing the words instead of being pulled by them.” – - Raymond Chandler
“Work extra hard on the beginning of your story, so it snares reader’s instantly. And know how you’re going to end your story before you start writing. Without a sense of direction, you can get lost in the middle.” – - Joan Lowery Nixon
“Detail makes the difference between boring and terrific writing. It’s the difference between a pencil sketch and a lush oil painting. As a writer, words are your paint. Use all the colors.” – - Rhys Alexander
“What I like in a good author is not what he says, but what he whispers”. – - Logan Pearsall Smith.
“Cut out all those exclamation marks. An exclamation mark is like laughing at your own jokes.” – - F. Scott Fitzgerald
“Nothing is so simple that it cannot be misunderstood – - Jr. Teague
5. Writing & Rewriting
“I’m not a very good writer, but I’m an excellent rewriter.” – - James Michener
“Having imagination, it takes you an hour to write a paragraph that, if you were unimaginative, would take you only a minute. Or you might not write the paragraph at all.” – - Franklin P. Adams
“Write your first draft with your heart. Re-write with your head.” – - Anonymous
“The time to begin writing an article is when you have finished it to your satisfaction. By that time you begin to clearly and logically perceive what it is you really want to say.” – - Mark Twain
“I have made this [letter] longer, because I have not had the time to make it shorter” – - Blaise Pascal
“I didn’t have time to write a short letter, so I wrote a long one instead.” – - Mark Twain
In other words, the first draft is almost always too long and poorly structured. To be clear and concise requires at least a second draft, and often more. Or put more succinctly:
“The first draft of anything is sh*t.” – - Ernest Hemingway
6. Clarity & Conciseness
“When something can be read without effort, great effort has gone into its writing.” – - Enrique Jardiel Poncela
“Easy reading is damn hard writing.” – - Nathaniel Hawthorne
“What is written without effort is in general read without pleasure.” – - Samuel Johnson
“Resist the temptation to try to use dazzling style to conceal weakness of substance.”
- – Stanley Schmidt
“Don’t write merely to be understood. Write so that you cannot possibly be misunderstood.” – - Robert Louis Stevenson
“The writer does the greatest good who gives his reader the most knowledge and takes from him the least time.” – - Sydney Smith
7. Style & Words
“‘I love writing. I love the swirl and swing of words as they tangle with human emotions.’ – - James Michener
“A good style should show no signs of effort. What is written should seem a happy accident.” – - W. Somerset Maugham
“You write to communicate to the hearts and minds of others what’s burning inside you. And we edit to let the fire show through the smoke. – - Arthur Polotnik
“Writers must rely more on the feel of a sentence than on the dictates of a rule book.” – - James J. Kilpatrick
“Like stones, words are laborious and unforgiving, and the fitting of them together, like the fitting of stones, demands great patience and strength of purpose and particular skill.” – - Edmund Morrison
“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.” – - Mark Twain
8. Egoism Unbound
Few writers ever have the opportunity to quote themselves. I don’t know if anything I have ever said will be remembered a hundred years from now, or even a hundred minutes from now. But for what they are worth, here are few ideas I have encountered, developed, and believed in for over 40 years.
“Convoluted writing is easy, it takes little thought. Simple writing is difficult; it takes all the thinking you can muster – and then some.”
“Simple writing is a challenge whose rewards are boundless. Once a writer recognizes this, everything else falls into place.”
“Good writing – and by extension good speaking – depend on only a handful of fundamental principles. Once you have mastered these, all the tips and techniques for applying them become almost self-evident.”
“Clarity can be defined as a quasi-mathematical formula, which is also a recipe for effectively applying it. To be clear, you must do three things:
1. Emphasise what is of key importance.
2. De-emphasise what is of secondary importance.
3. Eliminate what is of no importance.
In short: CL = EDE”
“Conciseness can be defined as a quasi-mathematical formula, which is also a recipe for effectively applying it. To be concise, your text must be as:
1. Long as necessary, i.e. adequately cover all essential material
2. Short as possible, i.e. avoid all superfluous words, sentences and paragraphs
In short: CO = LS”
“Clarity and conciseness are two sides of the same coin. To be clear, you must be concise. Unnecessary verbiage obscures, so it must be eliminated. Likewise, to be concise, you must be clear. Only by knowing precisely what you want to say can you eliminate obscuring words, sentences and paragraphs.”
“Writing is like cooking. You assemble the ingredients and start mixing. When the lifeless liquid begins to stiffen and take shape, you know you are making a cake. For me, the feeling is really that physical.”
“Continually ask yourself: ‘Why the hell should anyone want to read what I am writing?’ If you can give at least three good reasons, stop writing and start thinking. Otherwise, you will be wasting everyone’s time – principally your own.”
“Aim for the lowest common denominator. Virtually no one will object that your text is too easy, but some may object that it is too hard. Focus on those who may not understand; they are your true audience. The others will not object.”
“The basic principles of good writing and speaking are few and easy to understand. Unfortunately, most books on the subject bury them under an avalanche of tips and techniques.”
Having just written a book myself, let me conclude with something I wish I had said, but in fact comes from someone else. “Inside every fat book there is a thin book struggling to get out” – - Anonymous
Amen.
Philip Yaffe is a former reporter/feature writer with The Wall Street Journal and a marketing communication consultant. He currently teaches a course in good writing and good speaking in Brussels, Belgium. His recently published book In the “I” of the Storm: the Simple Secrets of Writing & Speaking (Almost) like a Professional (84 pages) is available from Story Publishers in Ghent, Belgium (storypublishers.be) and Amazon (amazon.com).
For further information, contact:
Philip Yaffe
Brussels, Belgium
Tel: +32 (0)2 660 0405
Email: phil.yaffe@yahoo.com